So, I’m finally completing a long-standing goal I’ve had for, oh, 4 or 5 years. The goal was to catalog and archive the Avenues library of video and audio. Why? Well, I suppose for posterity — it’s been 5 years now since we decided to end the band, and I’ve been sitting on video footage and demos and whatnot since then. Its only a matter of time before those things get misplaced, so I figured it’d be best to get them online in case we want to show them to the kids at some point, or just look it all back up in 10 more years when we can hardly remember the names of the songs. Continue reading The Complete Avenues Archive
It’s been hanging over my head for about five years now to edit down the archives of live Avenues video and place them on a digital format so I can share them with, well, the other 4 guys from the band. Slowly but surely I’m getting to it — I have the raw files imported and separated, and now I’m just sorting through them.
The majority of video comes from our EP Release / Farewell Show from February of 2005 — a show memorable for many reasons (it was our likely our best, drums were caught on fire, Hulk Hands, Crocodile Rock, secret t-shirts…). Here are the first two songs from that show.
Sorting back through the music library today for Christmas music, I found myself scrolling through the Avenues outtake library (specifically, to find the Avenues Christmas Epic — “Merry Christmas, Donkey Babies.” It’s a long story.) Anyhow, in the process I stumbled across this little recording of “All the King’s Men.” Had almost forgotten about this one — I think this is the only recording we have with vocals, done with myself and Dan and Kevin Honnoll in Ocean Way studios right around the time Kevin and I were finishing our last semester at Belmont, spring of 2003.
By the time this recording was made, I think the song was well over a year old. I remember that I was listening to Dylan’s “Sad Eyed Lady of the Lowlands” about twice a day every day (still one of my favorite songs) while I was writing the lyrics/melody, so this worked its way into being an homage of sorts.
If recollection serves me right we played this live twice, and the live version had drums in the chorus, lap steel, and Kevin played mandolin on the verses, and I remember how ridiculous he looked holding that tiny mandolin sitting on his drum stool. Still, wish I could remember what it sounded like with everything.