Stereogum.com just reported that Elvis Costello’s new record — awesomely titled Momofuko — is coming out April 22nd. And get this: it’s not even going to be available on CD, but rather as vinyl-only with a free digital download.
This puts gas in my go-cart for three reasons:
I admittedly have a man-crush on Elvis Costello. Seriously, it’s a completely hetero-obsession with his amazing body of work, his unique and surprisingly versatile voice, his genius songwriting, and his penchant for big glasses and looking totally cool while holding a guitar. His last record, The Delivery Man, is one of the most solid albums I’m aware of from an artist in his fourth decade of output, so I can’t wait to hear this followup.
As a vinyl collector, this move is almost like EC writing me a letter and telling me how cool I am. Vinyl has become my format of choice, especially now that most labels are making free downloads available with vinyl purchases. It’s the best of both worlds — I get the warm, analog sound and the killer physical artifact, and a hassle-free digital version for flexible listening.
This now means that April, the month of my birth, contains three of my most majorly anticipated releases: the new Elvis Costello, the new R.E.M.
, and the long-awaited (as in ten years) third record from Portishead
EC is playing the Ryman on April 23. We have great seats, thanks to my wife — one of the best birthday presents ever. It will be my first time to see EC live with a band. (We saw him last year with the Nashville Symphony. Amazing, but I’m looking forward to seeing EC hold a guitar like a badass and hopefully play “Hope You’re Happy Now” or “Man Out of Time” or “Welcome to the Working Week”.)